Please welcome our newest members who joined IAVM in October 2020. Thank you for being a part of the association! Also, let us get to know you better by participating in the I Am Venue Management series. Please visit http://www.iavm.org/i-am-venue-management-share-your-story to share your story and photo.

 

Aymen Al-Ani, Walter E Washington Convention Center, Washington, DC, United States

Alex Arellano, American Airlines Center, Dallas, TX, United States

Alyssa Blumling, PPG Paints Arena, Pittsburgh, PA, United States

Catelyn Booth, Arizona State University, Tempe, AZ, United States

Sheila Brannock, SAP Center at San Jose, San Jose, CA, United States

Charles Burge, Indiana University, Bloomington, IN, United States

Ruben Burgess, Dolby Theatre, Hollywood, CA, United States

Jon Carvell, First National Bank Arena, State University, AR, United States

Ashley Christopher, Kings Theatre, an Ambassador Theatre Group venue, Brooklyn, NY, United States

Johnny Cooper, Genatek Global, LLC, Flint, MI, United States

William Corder, Las Vegas Ballpark, Las Vegas, NV, United States

Joshua Curtis, Washington State Major League Baseball Stadium Public Facilities District, Seattle, WA, United States

Jon DeMarco, PPG Paints Arena, Pittsburgh, PA, United States

Adarryll Dent, Renasant Convention Center, Memphis, TN, United States

Patrick Doherty, SAP Center at San Jose, San Jose, CA, United States

Kate Dordick, PPG Paints Arena, Pittsburgh, PA, United States

Karen Duncan, Segerstrom Center for the Arts, Costa Mesa, CA, United States

Steve Ebner, Oregon Convention Center, Portland, OR, United States

Amy Forgerson, Kennesaw State University, Kennesaw, GA, United States

Eric Gold, SAP Center at San Jose, San Jose, CA, United States

David Handwork, First National Bank Arena, State University, AR, United States

Francine Harris, American Airlines Center, Dallas, TX, United States

Michelle Hedegard, Oregon Convention Center, Portland, OR, United States

Tyler Higgins, Allen Event Center, Allen, TX, United States

Kristen Hoover, Fayetteville Public Library, Fayetteville, AR, United States

Michael Johnson, Mesa Arts Center, Mesa, AZ, United States

Seth Kagy, Navy Pier, Inc., Chicago, IL, United States

Sharlene Lambert, Allen Event Center, Allen, TX, United States

Jason Lemiere, SAP Center at San Jose, San Jose, CA, United States

Hannah Lowney, Minnesota Orchestra, Minneapolis, MN, United States

Jarod Matheney, First National Bank Arena, State University, AR, United States

Natalia McDonough, Oregon Convention Center, Portland, OR, United States

Matt McInnis, American Airlines Center, Dallas, TX, United States

Marie McLean, Oregon Convention Center, Portland, OR, United States

Khaly Merot, Chase Center, San Francisco, CA, United States

Michael Miller, Segerstrom Center for the Arts, Costa Mesa, CA, United States

Melissa Mitro, PPG Paints Arena, Pittsburgh, PA, United States

Brian Mulligan, Bohemian Foundation, Fort Collins, CO, United States

Jasmine Noldon, American Airlines Center, Dallas, TX, United States

Mike Oberst, PPG Paints Arena, Pittsburgh, PA, United States

Shelby O’Neal, American Airlines Center, Dallas, TX, United States

Darcy Pease, Chase Center, San Francisco, CA, United States

Morgan Pitman, Chase Center, San Francisco, CA, United States

Joel Poppert, Artis-Naples, Naples, FL, United States

Brittany Roberts, Kennesaw State University, Kennesaw, GA, United States

Jeff Rodgers, American Airlines Center, Dallas, TX, United States

Jaime Rosner, Capital One Arena, Washington, DC, United States

Jamie Saul, Destin-Fort Walton Beach Convention Center, Fort Walton Beach, FL, United States

Lindsay Scherer, Baltimore Convention Center, Baltimore, MD, United States

Andy Silverman, American Airlines Center, Dallas, TX, United States

Adrian Silverstein, Enterprise Center/Stifel Theatre, Saint Louis, MO, United States

Reginald Smith, Walter E Washington Convention Center, Washington, DC, United States

Jordan Smyth, Segerstrom Center for the Arts, Costa Mesa, CA, United States

Marina Soffer, Capital One Arena, Washington, DC, United States

Megan St John, Lyric Opera of Chicago, Chicago, IL, United States

Dallas Stark, American Airlines Center, Dallas, TX, United States

Lisa Strong, Oregon Convention Center, Portland, OR, United States

Cori Talbot, The River View at Occoquan, Alexandria, VA, United States

Matthew Tamindzija, Chase Center, San Francisco, CA, United States

Rosco Thomas, Bush Convention Center, Midland, TX, United States

Sarah Tisinger, Bohemian Foundation, Fort Collins, CO, United States

Kelly Vickers, Walter E Washington Convention Center, Washington, DC, United States

Lorenzo Vigliante, American Airlines Center, Dallas, TX, United States

Brenda Walker, Kirkegaard, Chicago, IL, United States

Sheena Way, Chase Center, San Francisco, CA, United States

Jeff White, American Airlines Center, Dallas, TX, United States

Joshua Williams, Oregon Convention Center, Portland, OR, United States

Nicki Wilmot, Segerstrom Center for the Arts, Costa Mesa, CA, United States

Terry Wilson, Southern Methodist University, Melissa, TX, United States

 

 

By R.V. Baugus

Hear about the big news this week?

Gotcha! No, we are not talking about the presidential election, although Lord knows it has been battered and filleted every which way since Tuesday. Instead, we are talking about something that is so under the radar it could not be located by a Hubble Space Telescope.

Interestingly, it was called to my attention in a text message on Wednesday from former IAVM colleague Dana (Glazier) Hoffman, who shared a Facebook post she made on November 4, 2010, that stated, “We have a new name! I now work for the International Association of Venue Managers.”

Yes, these 10 years have flown by, have they not? There was plenty of news about the change, including the Association’s statement that the change was “to better reflect members’ jobs and current industry vernacular.”

Indeed, just a change of one word, but a word that most all can agree makes perfect sense today. “Our annual conference is now called VenueConnect, our new proprietary social network platform is VenueNet and our new awards are the Venue Excellence Awards. The concept to change our association’s name made perfect sense,” said Shura Lindgren, immediate past chair at the time. Even the letters of CFE after Lindgren’s name would change to CVE as the industry’s premier designation went from Certified Facilities Executive to Certified Venue Executive with Certified Venue Professional also joining the ranks.

“Changing ‘assembly’ to ‘venue’ does not change who or what we are. We will preserve all that our brand represents and yet reflect all we can become in the future,” said then IAVM President and CEO Dexter King, CVE, in a comment to Successful Meetings. “Regardless of our name, this organization is committed to being relevant by encouraging and equipping today’s venue professionals worldwide. Through its many program offerings, IAVM will continue to assist its members with commerce, advocacy, research and education.”

John Siehl, CVE, IAVM Board Chair at the time, also added to Successful Meetings: “Our new name clearly characterizes our industry and aligns the organization with what our members do — manage and operate thousands of venues in communities, metroplexes, cities, counties, territories, countries and more worldwide. We will likely witness other changes as we continue to evaluate our brand portfolio to ensure that it is nimbly meeting the needs of our members and the industry it serves.”

And there were other changes. The Public Assembly Facility Management School (PAFMS) became the Venue Management School. As recent as this past July, the association’s 35-year-old magazine moved from Facility Manager to Venue Professional.

More than 85 years old, IAVM was started in 1924, when it was called the Association of Auditorium Managers. Over the years, the organization’s name has changed several times. It became the International Association of Auditorium Managers, for instance, in 1934 and IAAM in 1996.

The name change 10 years ago was actually voted on electronically prior to the annual conference and trade show in July in Houston, where the results of the ballot were made public during the keynote address.

Venue so easily now rolls off the tongue and is certainly less bulky than some of the predecessor names for the association’s schools and programs.

Dexter King, always a very dear friend as much as a boss at the time, brought some humorous perspective to the IAAM logo etched outside World Headquarters. Even as a member as a venue manager, King would visit the association office and upon seeing the logo had an immediate thought to what it resembled.

“With the two A’s sticking up, it looks like Felix the Cat,” he would say.

Just one more reason to love Dexter, and one more reason 10 years ago this week to celebrate the formal name change to your International Association of Venue Managers.

By Renee Monforton

Claude Molinari, general manager of TCF Center, has been named president and CEO of the Detroit Metro Convention & Visitors Bureau (DMCVB), effective January 1, 2021. He will succeed current president and CEO Larry Alexander who is retiring at year end after 22 years at the helm of the DMCVB.

In his new role, Molinari will be responsible for developing the strategic direction and overseeing the operations of the DMCVB. He will provide the leadership and direction necessary to enable the DMCVB to bring meetings and conventions, leisure and business visitors to metropolitan Detroit and accelerate economic growth. He will lead the creation of the annual sales and marketing plan of the DMCVB which outlines the direction the DMCVB will take to attract tourism and meetings business to the region.

Molinari will also oversee the direction of the Detroit Sports Commission (a DMCVB subsidiary) which is responsible for securing amateur sports for the region.

In his current role at TCF Center, Molinari is responsible for managing the day-to-day operation and also business development of the 17th largest convention center in North America. His responsibilities include developing a budget, forecasting and financing, and implementing safety, security and crisis management programs for the center. He negotiates with local trade unions, develops business contingency, facility safety and emergency plans, and assures that annual budget goals are achieved.

According to the search committee assigned to identify a new CEO, there were 14 strong candidates from across the U.S. that applied for the position.

“Claude is uniquely positioned to accept this new role,” said Christina Lovio-George, chairman of the search committee and DMCVB board member. “He knows the DMCVB business, he understands the role of tourism, meetings and conventions as an economic driver in the region, and he intimately understands the challenges the tourism and hospitality industry are facing now as it deals with the impact of COVID-19.”

Lovio-George added as a side note that the DMCVB will be 125 years old in 2021 and Molinari will be the 10th person in the CEO seat.

Molinari’s history at TCF Center began when it was the former Cobo Center. There he served as assistant general manager from 2011-2016 with oversight of operations, security, events and production services and union labor services. He was named general manager in March, 2016 by SMG/ASM Global and during that time forged a strong partnership between the DMCVB and the TCF Center operation.

“Looking toward the future, Claude’s deep understanding of the vital role the TCF Center plays in the overall economic health of the entire Detroit region will be invaluable as the partnership grows to new levels,” said Alexander, who is retaining his position as chairman of the Detroit Regional Convention Facility Authority.

Molinari currently serves on the board of directors for the DMCVB and the Michigan Minority Supplier Development Council. He is a member of the International Association of Venue Managers, International Association of Events and Exhibitions. He is a USA Hockey official, Level III certified and selected to referee state and national playoff tournaments. He resides with his wife in Northville, Michigan.

Renee Monforton is Vice President, Marketing & Communications for the Detroit Metro Convention & Visitors Bureau.


By ISSA and R.V. Baugus

The Global Biorisk Advisory CouncilTM (GBAC), a Division of ISSA, has announced that 26 new facilities have successfully completed accreditation through the GBAC STAR™ Facility Accreditation Program, including three IAVM member venues.

The latest round includes the Portland’5 Center for the Arts in Portland, Ore.; Myrtle Beach Convention Center in Myrtle Beach, S.C.; and Oracle Park in San Francisco, home of the MLB’s San Francisco Giants.

“One of the main goals of cleaning and disinfecting is to remove potentially harmful pathogens, but many organizations still struggle with how to do so effectively and efficiently,” said GBAC Executive Director Patricia Olinger. “Our team of experts offers insights gathered from our years of industry experience as we guide facilities through the GBAC STAR accreditation process.”

The GBAC STAR accreditation program takes a complete approach to cleaning, disinfection, and infection prevention to ensure there is commitment at all levels of the business. Facilities must adhere to 20 program elements, including sustainability and continuous improvement, standard operating procedures, cleaning and disinfection chemicals, worker health program, and audits and inspections.

“The GBAC STAR program continues to gain momentum globally as more facilities seek reassurance that their approach to cleaning, disinfection, and infection prevention is sound,” said ISSA Executive Director John Barrett. “Accredited facilities can proudly display their seal of accreditation to guests to highlight that they’ve achieved third-party validation for cleaning.”

Apply for GBAC STAR facility accreditation today at gbac.org/star. See which facilities are accredited or are working towards accreditation via the GBAC STAR Facility Directory.

By Jimmy Im

Appetize has been selected to provide mobile ordering at 5 additional sports venues with Interact, the company’s advanced mobile ordering system. Interact is part of Appetize’s Enterprise Commerce Platform, which is used by over 63% of major league teams in the U.S. to run their food, beverage, and retail businesses. Appetize has been deploying mobile ordering at an increasing pace since the start of COVID-19 as stadiums, arenas, and venues upgrade to contactless solutions for the safety and well-being of their guests. Appetize mobile ordering has also been shown to yield, on average, a 22% increase in order size versus orders made at the point of sale.

“Since we first enabled mobile ordering at stadiums in 2012, Appetize has led the way with innovative cloud point of sale and digital ordering solutions. Today, we’re proud to power the food, beverage, and retail business of almost two-thirds of U.S. major league sports teams,” said Appetize Co-Founder and CEO Max Roper. “Like many top venues we partner with, these five stadiums are making the move to a modern, mobile-enabled operating model that will continue to be commonplace long after COVID-19. We’re thrilled to work with them to improve the fan experience, both now and into the future.”

Mobile ordering minimizes staff contact and improves speed of service by allowing fans to purchase concessions and merchandise directly from their phones. With Appetize Interact Mobile Ordering, guests can avoid keypads, touchscreens, and cash by using their phones to order and pay directly, whether through in-app mobile ordering or an appless mobile website. For added convenience, Appetize Interact Web also supports location-aware QR codes, so it can be launched by simply scanning a QR code, with location information for delivery embedded in the code. As more venues continue to reopen, mobile ordering has become essential for fan and staff safety and convenience.

“Creating a contactless fan experience will be imperative to welcoming fans back to Dodger Stadium, and Appetize has played a major role in these preparations by optimizing our concessions and in-seat service offerings with contactless payment and mobile ordering solutions,” saID Tucker Kain, Dodger President of Business Enterprise. “Dodger Stadium has many unique challenges as a historic venue with baseball’s largest capacity, and we look forward to continuing to work with Appetize to evolve and modernize our amenities for the changing preferences of fans.”

The 5 recent mobile ordering activations at venues include:

Dodger Stadium, Los Angeles, California. The 56,000-seat stadium—home to MLB’s LA Dodgers—integrated 780 cloud-based POS systems (including 650 fixed Android terminals and 130 handheld POS for waitstaff). Fans can order food and beverage through their phones in the Dugout Club, Baseline Box seats and Home Run seats using the Appetize mobile POS system.

AT&T Center, San Antonio, Texas. The 18,581-seat indoor arena—home to the San Antonio Spurs—recently expanded their mobile ordering offerings, which include multiple food and beverage concepts where fans can order from.

Children’s Mercy Park, Kansas City, Kansas. Sporting Kansas City’s nearly 20,000-seat award-winning stadium is piloting mobile ordering at events this year with Appetize via the integration of Interact Web. As a sports industry leader in the implementation of technology solutions, Sporting Kansas City continues to use world-class Children’s Mercy Park as a living laboratory for next-generation applications to tailor the fan experience.

Toyota Field, San Antonio, Texas. The 8,000-seat soccer specific stadium recently expanded its POS with Interact Web mobile ordering, which went live September 5th.

Holt Arena, Idaho State University, Pocatello, Idaho. The 12,000-seat, multi-purpose college football stadium recently deployed Interact Web mobile ordering. Fans are expected to return Spring 2021.

Jimmy Im is Director of Public Relations for Appetize.