The IAVM Foundation has been committed to programs, ideas, and initiatives that build amazing careers and a strong future for the industry for more than 32 years. It has bestowed more than 300 scholarships worth approximately US$350,000 dollars.

This past July at VenueConnect in Portland, the Foundation continued this legacy by announcing its newest campaign, “Build An Amazing Future.” This campaign is a three-prong approach focused on students, young professionals, and mid-level management in the venue management industry.

Part of this approach is the commitment to funding just over $40,000 to provide 37 scholarships + internships through the Joseph A. Floreano Scholarship + Internship Program for venue professionals, young professionals, and students to attend IAVM sector meetings, schools, and VenueConnect each year. The funds will help cover the registration fees and all hotel accommodations. The Performing Arts Managers Conference in San Francisco, Feb. 15-17, 2015, will be the first sector meeting that scholarships will be offered. Visit www.iavm.org/amazingfuture for eligibility and to apply.

The Joseph A. Floreano Scholarship + Internship Program recognizes deserving individuals who demonstrate leadership, character, diversity, community involvement, and the potential to be future leaders in the venue management industry.

The program was established after the passing of Joseph A. Floreano, CFE, a long-time IAVM member, Foundation Trustee, and the first-and-only Honorary Chairman of the Foundation Board of Trustees. Floreano was known for giving selflessly in both time and money to worthy industry causes. His leadership was aspirational and he took great pride in mentoring and supporting the advancement of the venue management industry. Joe Floreano was not only incredibly instrumental in the development of the Foundation’s “Build An Amazing Future” campaign but also became the inspiration as he truly resembled and embodied everything it stands for. The contributions Floreano made to the Foundation are immeasurable, and with that, we believed that the naming of the scholarship program would be the most appropriate way to honor his legacy, which will forever leave a mark on the Foundation.

““This scholarship and internship program memorializes the life and contributions a man who spent a lifetime leading by example,” said Paul Cramer, CFE, executive director of The Classic Center. “Joe was on a constant quest for quality and daily illustrated his love of servicing others. It was his attention to detail and warm-giving personality that earned him the respect and honor of his community and his peers. The professionalism by which he served the public, the IAVM association, belief in continuing education, and willingness to give to others to improve the future of our industry can only be regarded as legendary.

“I know he, his family, and staff will be honored to know that future generations to come will continue to learn by the outstanding example and legacy he has left behind,” Cramer continued. “I can’t think of a greater gift that the association and Foundation could give to future generations than a scholarship or internship named after a master of the craft of public assembly facility management.”
The Joseph A. Floreano Scholarship + Internship program will select five outstanding candidates to receive scholarships at the Performing Arts Managers Conference (PAMC), the Arena Management Conference (AMC), and the International Convention Center Conference (ICCC) in 2015 based upon the following five categories – Outstanding Leader, Diversity, Industry Women, Young Professional, and a Student Internship. The program also has scholarship + internship opportunities at the Academy for Venue Safety & Security (AVSS), Venue Management School (VMS), and VenueConnect.

“The IAVM Foundation is committed to fostering and supporting the next generation of the venue management industry,” said Foundation Board Chair Jason Rittenberry, CFE, president and CEO of IRG Sports + Entertainment. “By naming the program after Joe Floreano, we are setting the gold standard of what we should all strive to aspire to be. Joe was the ultimate mentor, leader and friend to all.”

In addition to the Joseph A. Floreano Scholarship + Internship Program, the “Build An Amazing Future” campaign will also be launching a 30 UNDER 30 Program for young professionals and a new certification – Certified Venue Professional (CVP). To learn more about the “Build An Amazing Future” campaign, please visit www.iavm.org/amazingfuture.

People know you’re in power by your voice alone, as new research shows that people pick on acoustic cues to determine who’s in charge.

“Our findings suggest that whether it’s parents attempting to assert authority over unruly children, haggling between a car salesman and customer, or negotiations between heads of states, the sound of the voices involved may profoundly determine the outcome of those interactions,” said psychological scientist and lead researcher Sei Jin Ko of San Diego State University.

The researchers point to former U.K. Prime Minister Margaret Thatcher as an inspiration for their investigation.

“It was quite well known that Thatcher had gone through extensive voice coaching to exude a more authoritative, powerful persona,” Ko said. “We wanted to explore how something so fundamental as power might elicit changes in the way a voice sounds, and how these situational vocal changes impact the way listeners perceive and behave toward the speakers.”

Ko and colleagues created two studies and found that voices of participants assigned to a high-power role tended to go up in pitch, become more monotone, and have a variety in loudness compared to the voices of those assigned low-power roles.

“Amazingly, power affected our participants’ voices in almost the exact same way that Thatcher’s voice changed after her vocal training,” said Adam Galinsky, a co-researcher from Columbia Business School.

It was also discovered that people outside the experiment were able to identify the high- and low-rank roles by voice alone with great accuracy, because they associated louder voices with higher power.

“These findings suggest that listeners are quite perceptive to these subtle variations in vocal cues and they use these cues to decide who is in charge,” Galinsky said.

(photo credit: garryknight via photopin cc)

The employee-boss relationship can be a delicate dynamic. Each wants to be liked by the other, and each may have different views about the relationship. However, once it’s all out in the open about how each feels about the other, then productivity and motivation increases.

“Seeing eye-to-eye about the employee-supervisor relationship is equally, if not more important than the actual quality of the relationship,” said Fadel Matta, lead investigator for a Michigan State University (MSU) study about workplace motivation.

Matta and his colleagues surveyed 280 employees and bosses separately across a variety of fields and found that motivation suffered when a worker thought he or she had a good relationship with a boss but the boss thought the opposite. However, when an employee and boss were on the same page about the relationship, motivation increased.

“Some people would say it’s better to fake it, but our results indicate that the opposite is true,” said Matta, a doctoral candidate in the MSU Department of Management. “At the end of the day, it’s better for everyone to know where they stand and how they feel about each other.”

(photo credit: whistlepunch via photopin cc)

It’s only one song. It’s not even my favorite one by the artist. Doesn’t matter, because I’d be on stage next to him. In fact, as I look around, I would be able to see the rest of the band and the stage crew.

That’s what you can experience in Jaunt’s virtual reality (VR) release of Paul McCartney playing “Live and Let Die” at San Francisco’s Candlestick Park.

If you own a VR headset, such as Google Cardboard, just load the app onto your Android phone, put on your headset, and start singing along with Sir Paul.

“[Jaunt VR’s CTO Arthur] van Hoff recounts that when Jaunt gave Macca a demo, ‘Paul McCartney was blown away, saying ‘Oh my god, I’ve seen the future. We need to do something together. I’m playing at Candlestick tomorrow. Why don’t you come record,” Josh Constine wrote for TechCruch.

Constine tested the app and found it to be a very accurate experience.

“You’re dropped on stage and it’s hard not to feel the bashfulness and excitement when you look out onto massive crowd,” Constine wrote. “The picture looked sharp on an Oculus DK2, and everything was laced together well enough to prevent dizzyness. You’ll be shocked by the pyrotechnics, and lament the modern condition when you see no faces in the front row, just a wall of people holding up their camera phones.”

Check out Constine’s article to learn more about VR and Jaunt’s McCartney app.

(Image: Jaunt)

The Philadelphia Orchestra is offering an olive branch to patrons who can’t seem to shut down their phones for a performance. Through its LiveNote app, audience members can follow along during a performance with program notes (including vocal text and translations), watch info slides that advance in real time with the music on the phone’s screen, and access details and images related to a composition.

“Today, we all are finding ways to merge technology with the things that we love in our lives, including listening to music,” said Philadelphia Orchestra Music Director Yannick Nézet-Séguin on the organization’s website. “I welcome the opportunity to facilitate this in the concert hall in a thoughtful manner, providing listeners with the choice to use the LiveNote application, or not. It is yet another option for our audiences to appreciate and enjoy the music differently.”

LiveNote was developed in collaboration with Drexel University engineers, and the app is designed to mitigate its impact on attendees. For example, the text is grey on a black background in order to minimize light.

While I love the idea of being an active attendee at a classical concert, others may not be so keen.

“The one subscription Philadelphia Orchestra concert at the Kimmel Center’s Verizon Hall to use LiveNote so far had 30 percent of the audience downloading the app,” wrote David Patrick Stearns for WQXR.com. “But whether because they lost heart or hit a snag (which was this writer’s problem), fewer actually used it.

Stearns wrote that only around 18 percent of the audience members at the performance he attended interacted with the app.

“The Philadelphia Orchestra has a rich legacy of being at the forefront of technical innovation, and curating new ideas is part of the very fabric of our organization,”  said Philadelphia Orchestra President and CEO Allison Vulgamore. “LiveNote is the latest initiative to experiment with harnessing the power of technology in service to the power of music, and we look forward to working with our audiences as we test and evolve this long-nurtured application.”

Please watch the video below to learn more about LiveNote.

(Image: The Philadelphia Orchestra)