From stadiumbusiness.com

Architecture firms Ratio and HOK have presented plans for a major renovation project at PNC Arena, home of the NHL’s Carolina Hurricanes.

The arena, which is owned by the Centennial Authority, opened in 1999 and also hosts basketball games played by North Carolina State University. Ratio and HOK recently presented their vision for PNC Arena to the Centennial Authority.

The News & Observer reports that the plans include new clubs and suite spaces, new offices for the Hurricanes, and outdoor space providing a view of the nearby Carter-Finley Stadium, where the team played an NHL Stadium Series game on February 25.

The plans will now be assessed alongside the CAA Icon agency over the coming weeks, after which point the Centennial Authority will devise a potential budget for any renovation work. The Centennial Authority would then seek money from the City of Raleigh and Wake County to fund any revamp.

Philip Isley, chairman of the authority, said: “This will get us in the right mindset to get some final numbers and go back to the city and county to make sure we have the funding to do what we need to do. We’ll continue to work on that over the summer months.”

Ratio and HOK valued the renovation costs at $225 million in 2019. Other elements presented by the two companies this week include space for a sportsbook and a new connecting road outside the arena.

In July 2021, the Hurricanes signed off on a five-year lease extension that will see the team occupy PNC Arena until September 30, 2029. The Hurricanes’ ownership group, Gale Force Sports and Entertainment, agreed the deal with the Centennial Authority.

The news came after a similar announcement was made in May 2020. At the time, a five-year extension was also agreed, with the Hurricanes stating this granted the team time to assess its options concerning its home.

By Julian Bowman

AECOM, the world’s trusted infrastructure consulting firm, announced that it has been selected by Fair Park First to provide program management services for major capital improvements to Fair Park, a 277-acre, cultural and entertainment complex in the heart of Dallas, Texas. AECOM will support Fair Park First’s capital projects to deliver outcome-driven solutions and a lasting legacy through enhancements that create and integrate park facilities, preserve historically significant venues, and revitalize the park as a destination within the region and beyond.

“Fair Park First brings a bold, inclusive vision to revitalizing this storied urban asset at a time when investment in equitable spaces has never been more important,” said Lara Poloni, AECOM’s president. “In line with our Sustainable Legacies strategy of partnering with clients to make a lasting, positive impact, we’re committed to improving social outcomes at each step of the program by working with minority- and women-owned enterprises and surrounding businesses to create real, measurable value and help make Fair Park a reflection of Dallas’s diversity and dynamism.”

AECOM will oversee the delivery of the upcoming Community Park Complex, an expansive 18-acre greenspace that also includes a 1,650-space parking structure. AECOM will partner on future projects by managing design, construction, permitting, and closeout, among other services. As part of a series of improvements informed by the Fair Park Masterplan Update, these efforts will support the construction and modernization of multiple facilities and an overhaul of general infrastructure with an emphasis on resilience and sustainability. As the program’s signature addition, the Community Park will embody a climate-conscious approach, introducing a vital new recreational space to Fair Park while expanding blue-green infrastructure to mitigate flooding and other environmental risks.

“We’re proud to partner with Fair Park First to modernize this National Historic Landmark and help deliver a world-class space that deepens community connections and contributes to the ongoing transformation and rich cultural heritage of the city of Dallas,” said Drew Jeter, chief executive of AECOM’s Program Management global business line. “Leveraging our decades of experience managing complex urban developments and industry-leading global expertise, our teams are poised to help Fair Park First realize this community-centric project and extend Fair Park’s legacy as a vibrant gathering space.”

Established in 1886, Fair Park has become a major destination for Dallas, drawing more than six million visitors annually. In addition to supporting regular programming and events, it is home to several prominent attractions, including the State Fair of Texas®, the African American Museum of Dallas, Cotton Bowl® Stadium, and the Hall of State—as well as containing one of the largest collections of exhibition style Art Deco structures in the United States. The capital improvements for Fair Park are part of Fair Park First’s revitalization campaign to put the “Park” back in Fair Park.

“We are thrilled to announce the addition of another world-class firm to our capital projects team,” said Fair Park First Board President Darren L. James, FAIA. “With this new partnership, we can continue the work of putting the park back in Fair Park and restoring it to its rightful place as an international attraction.”

Julian Bowman is Senior Director of Marketing at Fair Park and Cotton Bowl Stadium for Oak View Group.

By R.V. Baugus

Lisa Elliott, Director of Events and Partnerships for the Yerba Buena Center for the Arts in San Francisco, retired with her last day being February 3.

“I am transitioning into retirement or an extended period of rest and restoration, Elliott said. “Friday, January 20 was my 30-year anniversary. It’s been a few lifetimes with YBCA!”

“Lisa gave the hard hat tours of the palace and raised so much money with her corporate rental program she could write a book about it,” said Jen Norris, who worked for 26 years at the San Francisco War Memorial & Performing Arts Center. “She worked for I don’t know how many executives, artistic, and managing directors and has both created and held the institutional knowledge of the place.

“I am in awe of the programs she built and the relationships she made and maintained with clients and vendors through the years. The many union agreements she negotiated and the many staff members she has trained and mentored through the years. She has been a part of IAVM since she began in the industry alongside David Dial.”

A celebration party was held on February 16 in Elliott’s honor, which she called a “combo of my retirement from YBCA and a staff party for general dancing and fun.”

By Sara Picchioni Williams

Populous-designed TQL Stadium was awarded the Prix Versailles Sports 2022 World Title — the world prize for architecture and design from UNESCO.

The Prix Versailles is an original program with the aim of fostering better interaction between the economy and culture. It underlines the role economic agents across sectors can play to enhance, embellish, and improve living environments. The honor is awarded annually to the world’s top project in each category based upon innovation, creativity, reflection of local heritage, ecological efficiency, and the values of social interaction and participation which the United Nations holds in high regard.

“We are thrilled that TQL Stadium has been honored with the Prix Versailles World Title,” said Jonathan

Mallie, senior principal at Populous and design lead of TQL Stadium. “We worked closely with ownership to create a truly remarkable, one-of-a-kind soccer experience for the people of Cincinnati and the world. Its design stands apart due to its bespoke nature, combining innovative technology, cultural influences, and impeccable interior artistry to create an iconic experience.”

The World Judges Panel, selected to evaluate the year’s best in contemporary architecture, was chaired by philosopher Gilles Lipovetsky (France), and included the architects Thom Mayne (United States), Lu Wenyu (China) and Thomas Vonier (United States), the designer Jasper Morrison (United Kingdom), the disc jockey Charlotte de Witte (Belgium), the filmmaker Mahamat-Saleh Haroun (Chad – France) and the mountaineer Samina Baig (Pakistan).

TQL Stadium, located in Cincinnati, Ohio, has been heralded as one of the world’s top soccer venues. Earlier this year, the stadium was named the Best Venue of 2022 at the World Football Summit Awards. TQL Stadium opened in 2021 as the new home for Major League Soccer’s FC Cincinnati, pairing a world-class soccer atmosphere and energy with a design that truly reflected the Cincinnati community and history.

TQL Stadium was one of two U.S. projects to win a 2022 World Title, and one of just three projects in the U.S. named to the initial World Selection group among the four major categories of airports, campuses, passenger stations, and sports. The MLS stadium was selected from a group of six World Selection projects in sports, which included Etihad Arena (Abu Dhabi, United Arab Emirates), Nakia Arena (Tampere, Finland), Tochigi Sports Park – East Area (Utsunomiya, Japan), Stade de Luxembourg (Luxembourg City, Luxembourg), and Al Thumama Stadium (Doha, Qatar).

A striking design from afar and up close, TQL Stadium defies stasis by wrapping itself in over 500 mass-customized aluminum fins. When viewed from down Central Parkway, these articulated aluminum façade elements create the stadium’s signature form: a singular twisting motion that signifies the tension between two teams about to take the pitch. When viewed straight on, they provide a glimpse into the stadium, fostering a heightened sense of anticipation for the match within.

The stadium is one of the league’s largest, and includes The Bailey, the club’s legendary supporters’ section that hosts more than 3,000 fans at the steepest permissible slope, creating an imposing wave of sound that crashes over the pitch below. It pairs this atmosphere with interior hospitality at its finest. The high-design clubs and suites take inspiration from historic Cincinnati architecture, materials, and cultural elements, from the city’s Roman emperor namesake to Cincinnati’s robust brewery scene.

On the exterior, TQL Stadium connects directly to its neighborhood, with a plaza entrance that is nestled into Cincinnati’s urban fabric, inspired by monumental public places such as the New York Public Library and the Spanish Steps in Rome. With views overlooking the Over-the-Rhine district and downtown, the plaza serves as the end point to the traditional supporters’ march to the match.

Sara Picchioni Williams is with Great Ink Communications.

By Gail Sawyer

Chairman and Chief Executive of ASM Global APAC Harvey Lister, AM, announced the appointment of Australian convention specialist and marketer Beverley Parker as the group’s new Director of Marketing.

A sales and marketing industry leader, Parker has more than 30 years’ experience in the highly competitive areas of tourism, events, and hospitality.

Parker will combine her new role as Director of Marketing, ASM Global Asia Pacific, with her current position as Director of Business Development at ICC Sydney where she has successfully applied her wealth of experience in the international business events sector.

“Beverley brings a depth of industry knowledge and ability as well as strong leadership credentials to her expanded role and we look forward to welcoming her to the team,” Lister said.

Commenting on her appointment, Parker said it had been a great privilege to be part of the pre-opening team at ICC Sydney helping to establish the venue’s reputation on the global stage and looked forward to applying that same passion and enthusiasm for the industry in her new role.

“I am delighted to have the opportunity to contribute to the next stage of ASM Global’s story in the Asia Pacific as Director of Marketing,” she said.

Parker takes up her role on March 1, following in the footsteps of long-term ASM Global team member Rochelle Uechtritz, who spent 29 years and a number of secondments at ASM Global venues around the world.

Gail Sawyer is Group Communications Manager – ASM Global (Asia Pacific).