I know a lot of our readers are interested in sports and music, so I wanted to point you to a great article on Sports on Earth. Written by Alan Siegel, it’s the story of how NFL Films got involved in the music business, first starting with Journey’s, rock documentary, Frontiers & Beyond.

“Written and directed by [Phil] Tuckett, Frontiers & Beyond has NFL Films’ fingerprints all over it,” Siegel wrote. “Facenda, in fine form, reminds the audience early in the film that it belongs not only to Journey, but also its crew. ‘This is their story, too,’ he says in his signature baritone. ‘Together they are 70 modern day troubadours and roustabouts, crisscrossing the country in seven tractor trailers and three buses, towing the portable pieces of state-of-the-art rock and roll theater.’ Fittingly, there’s also the use of slow motion, in this case not to showcase a balletic Lynn Swann catch, but to highlight lead singer Steve Perry’s facial expression during ‘Faithfully.'”

I didn’t even know there was a Journey documentary out there, much less produced in the same style as all those great pieces from NFL Films. You can watch the documentary above, but definitely read the article. It’s a great one.

In a recent article on The Verge, David Pierce journeys through the staggering amount of equipment ($25 million worth) and personnel (~200 credentialed staff) Fox Sports brings into a stadium to broadcast the experience to televisions and screens.

For venue managers, the article and 13-minute documentary (above) are an insightful glimpse into the depth of coordination that exists between the venue and the Fox Sports team. It is also a sobering reminder that, as Rich Russo, director on Fox’s A Crew, states, their mission is to “make the viewer feel like they’re sitting in the stands, seeing and hearing everything as if they are inside…”

Whether being in the stands could ever be simulated is yet to be determined, but the crew at Fox Sports NFL is showing us all what it takes to give it a shot.

The Performing Arts Managers Conference (PAMC) will take place February 22-25, 2014, in Kansas City, Mo. Along with great opportunities to network and learn about the latest trends and fresh ideas emerging in the performing arts sector, venue managers can tour one of the region’s newest gems, The Kauffman Center for the Performing Arts.

The Kauffman Center began as a simple sketch on a paper napkin, broke ground in 2006, and became a reality in 2011. The facility quickly defined itself not only as an architectural icon for the skyline of Kansas City, but as a focal point for the region—delivering enriching experiences for both artists and audiences alike. Designed by renowned architect Moshe Safdie, the building’s most distinctive features are its curving, shell-like exterior, superior acoustical design, and the facility’s accessibility.

We wanted to provide a sneak peek into some of this venue’s striking features and inspire performing arts managers to attend the conference and take in this spectacular new venue for themselves. So we spoke to Patrick Donnelly, local host for PAMC and the director of theatre operations at the Kauffman Center, about the new facility and asked him a few questions about the construction process.

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Stadiums and arenas were some of the top searches this year, according to Google’s 2013 trending overview. Let’s take a look at the Top 10 searches in that category:

You can get more trending info about each venue by clicking on its name and then explore. Once you’re on the explore page, if “news headlines” are available, check that box and hover your mouse over a letter on the timeline to see what stories led to the venue being searched on Google. For example, one of the top headlines for AT&T Park this past year was “Kim Kardashian, Kanye West Get Engaged at AT&T Park” from the San Jose Mercury News. There also seems to be a gull invasion at the park, according to the Ottawa Citizen.

And just because I know you’re curious. The most searched for question this past year was “What is twerking?” Stay classy, 2013.

(photo credit: boltron- via photopin cc)

Event hosting for others is nothing new for the Massachusetts Convention Center Authority (MCCA). Now, though, it’s doing something different. It’s co-producing its own events.

“What if we redefined…the relationship between the (convention center) building and the event?” James Rooney, executive director of the Massachusetts Convention Center Authority, told MeetingsNet.  “Why can’t a dimension of our business be show production?”

MCCA’s first co-produced event will be with the Sitarian Corp. for the Advanced Audio + Applications Exchange (A3E), “an international trade show, conference, and social network exchange focused on the exploration of new technologies that are transforming the music industry and the creative processes of musicians and audio professionals.” The Hynes Convention Center in Boston will host the event Sept. 23-24, 2014.

“Events are about creating connections and synergy, and our partnership with A3E will do just that with the unveiling of this new, one-of-a-kind, inclusive event that allows a myriad of interests to discuss, debate and learn about how new technology is changing the way people make and record music,” Rooney said in a press release.

Please visit Associations Now and MeetingsNet for more info about MCCA’s new economic model and what it means for the convention center industry.

(Image from the MCCA Facebook page)