The International Association of Venue Managers (IAVM) is pleased to announce Jack Lucas, president of TicketsWest and WestCoast Entertainment, as the recipient of the 2015 Joseph J. Anzivino Award. The Anzivino Award is granted to a distinguished, Allied IAVM member for extraordinary contributions to the Association and the professional venue management industry it serves.

Lucas has been in the entertainment industry for over 38 years, and has been with TicketsWest since 1987. Prior to TicketsWest, Lucas spent thirteen years as an Event Supervisor for the City of Spokane Entertainment Facilities, which included a 2,700-seat performing arts center, a 30,000-seat stadium, an 8,500-seat multi-purpose arena, and a convention center.

Lucas has served on numerous civic boards, including Big Brothers Big Sisters, Lilac Services for the Blind, Goodwill Industries, Eastern Washington University Foundation, and various other organizations.

Lucas’ contributions to IAVM have been tremendous. He has been an active member since 2000, serving District 4 as the Allied Representative from 2001-2005, on the Allied Committee from 2006-2010, and on the IAVM Board of Directors from 2010-2012. Lucas has also volunteered on IAVM’s conference planning committee in 2002, and on the Industry Affairs Council from 2006-2010.

“Jack Lucas is considered ‘The Lion King’ of IAVM Region IV,” said Kim Bedier, CFE, chair of the IAVM Board, “but his support of IAVM has extended far beyond regional borders. I have so enjoyed working and serving with Jack. I have firsthand witnessed and benefited from his leadership, mentorship, and passion for not only our association but the industry as a whole. Jack is more than deserving of this prestigious award.”

Leslie Taylor, senior associate at Gensler, and chair of IAVM’s Allied Member committee, agrees. “Through his unwavering commitment to the venue management industry and IAVM, Jack embodies the spirit of the Anzivino Award. His leadership of IAVM’s Allied Membership is invaluable.”

“Jack has made a huge contribution to IAVM and to the Performing Arts sector during his many years of service,” offered Vicki Hawarden, president and CEO of IAVM. “Jack approaches everything he does with high energy and a good sense of humor, and it is a pleasure to see him receive this well-deserved honor.”

Upon being notified of receiving the award, Lucas offered the following comments:

“We all know that we do what we do because of our love for what we do, and we do it without expecting anything in return. I have had an incredible career and journey, and IAVM has been a major part of that.”

The award will be presented during IAVM’s annual conference and trade show, VenueConnect, August 1-4, 2015, in Baltimore, Maryland.

I woke up the morning of the last day with the hopes that day would last forever. One thing I could count on was the experience I had and the relationships I made would echo into the future.

As the first intern at IAVM’s Academy for Venue Safety & Security (AVSS) from the Joseph A. Floreano Scholarship + Internship program, my experience was nothing short of amazing, and the following words, as I try my best to describe the experience, will come short of what I really felt, learned, valued, and experienced in a week-long event.

I arrived to the Hilton DFW Lakes Executive Conference Center, where AVSS and GuestX was co-located, after a long trek to Dallas from Springfield, Missouri. My internship started with assisting at check-in/registration, where as the intern I got the first hand look on a handful of different companies and venues that would have an attendee, speaker, or guest for AVSS or GuestX. Soon after registration was Opening Night at Austin Ranch, where a networking opportunity immediately started. It took a little warming up to start meeting some strangers; I had a little help from the great Kim Bedier, CFE, chair of the IAVM Board of Directors, to start off, introducing me to some key individuals.

The next morning started with Welcome & Introduction where Bedier; Vicki Hawarden, CMP; Randy Vogel; and John Siehl, CFE; took the time to give a few welcoming notes to everyone at AVSS and GuestX, as well as introduce Kevin Henry, the scholarship recipient, and then me, the internship recipient. This was one part that I greatly appreciated, because it was a helpful ice-breaker for the conversations that were to come later. I also appreciate Kim’s mention that I will be graduating soon—a handful of conversations ended with open doors to so much opportunity!

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Photo: Stefan Cohen

The San Francisco Symphony is about to wrap up the first season of Soundbox, an experimental music venue that leverages unused rehearsal space, art, video, and superb sound to deliver shows to a new audience well below their traditional 64-year-old patron. Attendees of IAVM’s 2015 Performing Arts Managers Conference experienced the space first-hand during a private tour, and the success of the new project is beginning to emerge.

“In only its third iteration, Soundbox has become a thing unto itself, and it took less than a scant four months to transform from a promising experiment into a scene of its own. Musically, last weekend’s version rivaled the opener in terms of surprising, delighting, and delivering, but while no one was looking SoundBox found an entirely new audience. I did see some familiar faces in the crowd on Saturday night, but what struck me was how quickly the demographic of the audience changed, as if with each new show the average age of those attending decreased by a number of years. Look at the picture above and try to find classical music’s ‘greying audience’ in the crowd. The place is a hit.”—John Marcher in the San Francisco culture blog, A Beast In A Jungle

The venue reverts back to rehearsal space this spring, but with every show selling out, and with a fresh audience tilting toward 20- and 30-somethings, creator Tilson Thomas is planning on its return next year.

Listen to Cy Musiker’s full story for KQED News below:

In an effort to ensure IAVM continues its path of providing excellent products and services and in conjunction with our Mission, Vision and Goals, the Board of Directors has approved a small dues increase. See the new rates below. Members whose renewal date is July 31 or greater will reflect the new pricing shown below.

• Allied – $600 to $620
• Allied Extra – $455 to $470
• Professional – $455 to $470

Faculty, Young Professional, Student, and Retired membership dues will remain the same. If you have any questions about your renewal, you may contact me, your director of membership, via email or phone: 972.906.7441. We appreciate your support.

Brian Mirakian is a smart man. He is the director of Populous Activate in the Americas, and he presented a wonderful, thoughtful session at this year’s South by Southwest conference in Austin, Texas. His session, “The New Cathedral: Sports Stadiums,” took a look at the past, present, and future of stadium design.

“We’re moving rapidly from a spectator culture to participant culture, and the next generation fan wants access and interaction with the athletes on the field,” Mirakian wrote in session recap on Populous.com.

In the recap, Mirakian offers 10 ways to look at what has become a cathedral to many: the sports stadium. Let’s look at the first five, along with some quotes from Mirakian.

1. The new cathedral is… the same as the old cathedral.
“In the same way that the Roman Coliseum was a symbol for the community and captured a distinct sense of place that brought people together, the future stadium will communicate the spirit of its city and its culture.”

2. The new cathedral is… designed for the experientialist.
“The next gen experientialist fan wants to participate, explore, interact with brands, socially congregate in areas connected to the action and make memories with friends beyond the seating bowl.”

3. The new cathedral is… embedded and reactive.
“Our buildings can actually become responsive to fans—whether through reactive surfaces or embedded architecture (like we saw in the London 2012 Main Stadium) or the future use of augmented reality technology.”

4. The new cathedral is… a place that interconnects fans and athletes.
“By using next generation data analytics, it’s not hard to imagine that fans will be able to capture, follow, and experience what their favorite athlete experiences in a game.”

5. The new cathedral is… home to a global audience.
“93 percent of NFL fans will never step foot in an NFL stadium … which means franchises now have to understand their fan base and brand exists everywhere and must challenge themselves to engage a global audience of fans who aren’t in the building.”

Mirakian affirmed that technology will not kill stadiums, because of our human nature.

“People will aways want to share a social experience together,” he said. “It’s what makes us human.”

Please visit Populous.com to learn about the other five ways sports stadiums are evolving.

(Image: Populous)